Quasar #46-60 by Marvel Comics
Writers – Mark Gruenwald, Ron Marz
Artists – Andy Smith, Grant Miehm, John Heebrink
**Note, this review is for Quasar issues #46-60**
The final 15 issues of Quasar felt like an encapsulation of the things that made this an entertaining as well as frustrating series. Once again, Quasar gets pulled into a crossover that, reading this series on its own, leaves the reader with little understanding of the story line and even less invested in the outcome. Along with Andy Smith and Grant Miehm, John Heebink comes on board as artist for several issues and provided competent though certainly not flashy work. As the series wrapped up, each of the recurring characters got to complete their character arc: Makkori learned that being fast isn’t everything in life, Kismet found a purpose besides reproducing with Quasar, and Kayla…. well, let’s talk about Kayla.
I mentioned in my earlier reviews that the most enjoyable part of this series for me was Quasar’s development of a relationship with Kayla. Her character took a superhero twist at the end of the last batch of issues, which I didn’t particularly care for, but it ended up being the core conflict throughout these last 15. By my count, there was only one issue throughout this series of 60 comics that featured Quasar and Kayla on a full issue adventure together, and probably only 2 dates shown that the characters go out on. That’s pretty slim to hang the weight of a superhero story conflict on, and I think Gruenwald missed an opportunity to make the readers more invested in the characters and the relationship by never letting it appear on the page. (I say Gruenwald as he wrote 59 of the sixty issues, this last group of issues also features a standalone story by Ron Marz that was quite fun but is completely out of place with when it is taking place in the larger story arc.)
Still the payoff to the Quasar/Kayla arc ended up being one of the best issues in the entire series. Overall, I’d say because of the buildup to it, issue #58 was my favorite issue of the series, but because it required reading a lot of so-so comics to get there, the first three issues (#1-3) would be better reads as stand alone stories. As a Marvel Cosmic character, I’d agree that Quasar belongs in a lower tier than characters like Silver Surfer, Adam Warlock or Nova in terms of quality of stories and iconic appearances. His replacement with a female version in the Abnett and Lanning cosmic era was a good idea that has also not been capitalized on. Quasar may be destined to be a character that never becomes recognizable outside of fans of 1990’s comics, but I can’t exactly argue that it’s undeserved.
This is a review for Quasar issues number #31-45. This series has not been collected in trade beyond the first few issues.
Writer: Mark Gruenwald
Artists – Greg Capullo, Rurik Tyler, Steve Lightle, Andy Smith and Grant Miehm
The 1990’s get a lot of blame for the death of the comic industry. The speculator bubble is a big part of it, although for somebody who grew up reading the comics of that era it’s not anything I hold against the industry. Some of my favorite comics were the #1 issues from Marvel, Image and other companies that sold millions of issues to people that never had any intention of reading them. Another criticism is the over the top art and lack of good storytelling. Again, as a reader from that era, I thought the crazy art of guys like Liefeld or Dale Keown was a fun stylistic choice that made a few books stand out more on their own. The other major criticism of books from that time is that the issues took place in endless crossovers with other titles (and this is sill a criticism of Marvel and DC comics today).
This run of 15 issues of Quasar certainly had me lamenting the endless crossovers of the era. Issue 31 crosses over with the New Universe, issues 32 through 35 were parts 3,10,17 and Aftermath of the Galactic Storm crossover. At that point, we get two stand alone issues of Quasar before it ties into the Infinity War for three more issues. Once we’re clear of all those crossovers, the next few issues are dealing with a bad guy let loose in those issues by Thanos (the original Marvel Boy). Marvel Boy has the distinction of being one of the lamest designed and childish behaving characters I’ve ever read. Issue #43, picture above, features Marvel Boy and Quasar fighting in what is also in the running for the ugliest Marvel Comics cover I’ve ever seen.
What were the high points of this run of issues? A funeral for Eon hosted by a cult of interstellar beings whose purpose it is to mourn those that fall stood out to me as interesting and the type of cosmic originality I like best from Marvel. Kayla (Quasar’s secretary) continues to also be the standout character of the series, but possibly only because her story moves at a page or 2 per issue so we are always left wanting more resolution for her.
The art seemed to take a dive in this run of comics, and I’m sorry to point to Andy Smith as the culprit. If you can recognize Kayla before and after her haircut as the same character, you’re cheating. I’m on the fence regarding the change of Quasar from cosmic band wielding Green Lantern clone to generic strong superhero with Starbrand abilities. Neither is particularly original, but as I mentioned in my last review (on Goodreads under issue #25) Gruenwald was just beginning to create some rules for Quasar’s powers that gave him more depth and those have been thrown out the window. Only fifteen issues left in this series, hopefully it improves as so far it’s been a bit of a let down.