Crime and Punishment
Author: Fyodor Dostoevsky
Translator: Larissa Volokhonsky
I don’t reread a lot of books. Typically if I read a book more than once it’s because it’s a book I loved as a kid and haven’t read in years, or it’s a graphic novel that I love (Watchmen, Dark Phoenix Saga or Savage Dragon back issues most come to mind). The first time I read Crime and Punishment was my senior year in high school as part of a class assignment for a class called “Novels.” The class was just what it sounds like; we would read a certain number of pages every night and discuss the previous reading in class the next day. Other books we read for that class included: The Lion, The Witch and the Wardrobe, O Pioneers!, The Grapes of Wrath, and David Copperfield. I loved three of these books, liked one and didn’t care for the other, so overall it was a pretty rewarding class.
Fifteen years later, my wife needed a book to fill a slot in her current reading challenge and got the audiobook version ofCrime and Punishment so I figured I’d revisit this book that I really enjoyed in a different format. In a normal year I’ll read about 50-80 books, and I started reviewing them awhile back just because I have trouble remembering the plots on a lot of the books shortly after reading them if they’re not fantastic. Maybe it’s because this was a book that was discussed in the Socratic method for a month, or because I really enjoyed it, but for whatever reason I remembered this book fairly well even before starting it for a reread.
**Plot spoilers follow**
Boiled down to a sentence, Crime and Punishment is the story of a student who kills an old woman and then slowly unravels in his social world. I remembered that plot, but I also had some pretty strong recollections of Raskolnikov’s (the student) theories about the right of some great men to commit crimes, and his subsequent delusions and familial crisis. Subplots involving Raskolnikov’s fixation on a young woman he meets and his friend Razumiknin’s relationship with Dunya (Raskolnikov’s sister) similarly left their imprint on me. Oddly, there were two major plot points that I totally forgot about until rereading. First was that Raskolnikov actually killed two women, as the first victim’s sister shows up during the incident. Second, perhaps the most interesting character in the book is Svidrigailov, the only man who has figured out Raskolnikov’s secret and attempts to elicit a confession.
It was easy to see why I forgot about the second murder, as even throughout this book that victim is treated as more of an afterthought to the death of the wealthy landlord. I’m not sure why I had so little recollection of Svidrigailov’s story arc, as on this reread it was by far my favorite arc in the story. Svidrigailov and Luzhin (Dunya’s fiancé) are the two closest things to an antagonist in this novel, along with Raskolnikov’s own conscience. Both are motivated at times by their attraction to Dunya, though Luzhin’s villainy is more apparent early on and Svidrigailov’s character faults are discovered more slowly. The dynamic is a big part of what makes this such an amazing read, as the protagonist of the book is a repugnant murderer and the antagonists are very flawed men with their own selfish motivations. The fact that everybody gets their own retribution by the end is very satisfying as well.
**End of spoilers**
Doestovsky’s writing style is a combination of play writing and psycho-drama. Every scene in this book could be done on a play stage with probably 5 or fewer people having speaking parts on a stage. However, it’s also written in a manner that would not be interesting to watch as a play, as the dialogue is very long and analytical. The simplicity of this style was more successful for me as a prose novel than as an audiobook, where hearing somebody read these long exchanges could at times sound more inauthentic than in creating the conversation in your head.
Overall I ended up still enjoying the things I liked the first time I read this book, and coming away with even more appreciation for a lot of stuff that I forgot about. As much as I enjoy reading, the thrill of reading a new book and hoping to discover something amazing was rarely as rewarding as revisiting this good read and discovering even more to love than I’d known about before. I can already see myself trying to work a re-read into my current reading schedules based on this experience. For those that enjoyed this book, I would also recommend The Idiot. I read that book, The Brothers Karamazov, and Notes From the Underground based on my enjoyment of this book previously, and felt that The Idiot was just about equally enjoyable to this work.