We Are the Ants
Author: Shaun David Hutchinson
This is another book I read based on a year end recommendation of best books read by a Goodreads reviewer. The reviewer in this instance was the always entertaining Emily May, who picked this as her best science fiction read from last year (I went out in early January and bought a stack of books that reviewers picked as their favorites from the prior year… I think I’ve got 1 or 2 left that I’ll hopefully finish before the Best of 2017 lists start).
We Are the Ants is a young adult story about a teenage boy who is heartbroken because he no longer has a romantic partner, and slowly falls in love with the mysterious new transfer student. In its simplest terms, that’s a basic/familar story. The Killers have just released a new song called “Have All the Songs Been Written,” and sometimes I feel like that’s a common enough worry with books, films, music, etc. that every idea has been explored at this point. It’s wrong of course. Hutchinson shows how even a common idea for a story arc can be explored in very unique ways.
What makes this book so different? For starters, the protagonist (Henry) has some interesting problems beyond the typical young adult lead. Right off the bat, we learn that he is frequently abducted by aliens who keep him for various lengths of time before releasing him back to his home town in different locations with little or no clothing on. His lost love died via suicide. His home includes a sadist brother, a grandmother with Alzheimer’s, and a mom that seems to be hanging on by a thread.
The protagonist is also gay in this book. I say it as kind of an afterthought, because it’s not really an issue for him but it certainly stands out in terms of the normal lead characters in the genre. For all of the reasons that Henry is abused by his classmates and brother, his sexuality is not one of them. There are a few closeted characters in the novel, but even they don’t seem motivated in their actions by any worry about what other people will think about them being gay. The end result is a nice accomplishment in terms of “why can’t I see this type of person represented in this type of story.” I would describe this book as a story with science fiction elements that primarily deals with grief that happens to have a gay protagonist.
Overall I really enjoyed this book, but I also groaned several times because of the defeatist attitude of the protagonist. Henry is a character that will look for any chance to find a reason to be sad. His former boyfriend, Jesse, is deceased when the book begins but is probably the second most frequently discussed character, easily rivaling Diego, Henry’s possible new love interest. I get that so much of this book is about how questions go unanswered (Henry frequently tries to understand why Jesse killed himself and why his dad left their family), but it was difficult to root for a character that sees himself as a doormat. Henry has people that obviously care about him to varying degrees (his best friend Audrey, new friend Diego, his mom, brother, his brother’s girlfriend Zooey, his teacher Ms. Feraci, even the sadistic bully Marcus), but rather than talk to any of them about how to improve his situation he either wants to discuss how awful it is that Jesse’s gone or internalize his grief into reasons he wants the world to end.
The world ending and the alien abduction technically make this a science fiction story, but if you are coming to this book wanting a science fiction story you’ll probably be disappointed. However, if you settle in for a tale about grief and teenage drama, there’s an engrossing story and a quick read that’s pretty rewarding.