Bad Seed: The Biography of Nick Cave
Author: Ian Johnston
Prior to reading Bad Seed: The Biography of Nick Cave, I was a bit of a Nick Cave fan. I own all of albums, 16 studio albums by the Bad Seeds, two by Grinderman, a few soundtracks by Cave and Warren Ellis, and a few Birthday Party records. I’ve read both of Cave’s prose novels, And the Ass Saw the Angeland The Death of Bunny Monroe, and bought and enjoyed the films he has written, particularly Lawless and The Proposition. I’ve seen Cave in concert twice, once in Chicago as part of the “Dig Lazarus Dig” tour, and again in Louisville for the “Push the Sky Away” tour. So, take the rest of my review with however main grains of salt because odds are you won’t line up on the Cave fan spectrum at the same level as myself, for good or bad.
That disclaimer out of the way, the biggest takeaway I had from reading Ian Johnston’s book was that it was way to early in Cave’s career to write any sort of a comprehensive biography. Johnson’s book came out in 1995, which was prior to “Murder Ballads” being released. That’s eight studio albums ago. That’s before Grinderman was a band, and released two more. The most prolific collaborate or Nick Cave’s career after Mick Harvey is Warren Ellis, who is not mentioned until page 302 (the book is 304 pages long). The book ends a decade before Cave published another novel or wrote his most successful films. So if you’re looking for a book to discuss all of the amazing work in his career, this book will leave you with less than half of it.
The strength of this book is as a a biography of The Birthday Party band, extensively documenting their early years, discography and breakup. This portion of the book is 150 pages, or roughly the first half. The following half gets into Nick Cave’s sobriety and increasing artistry, but as already outlined it is certainly an unfinished story.
The writing of the book is very detailed and features extensive quotes from people with firsthand knowledge of events. This ends up being the books greatest weakness however as well, as often Johnson will spends over a page quoting the same source and as a reader I would often lose track of who was recanting a story because a quote would go on for so long. It also seemed like for a work of scholarship the number of sources cited outside of interviews was on the low side.
It’s obvious Johnston agrees Cave is a genius, and I learned a lot about Cave’s early years and the critical reception of Cave early in his career by reading this book. I also got more of an idea as to his creative process and the personnel on the classic Bad Seeds albums. Perhaps a part two in another twenty years will help finish where this book leaves off, as Cave was just getting started when this came out.